"It only remains yet to respond to a question that, inevitably, is made by each listener or reader when he discusses the regularity of our facilities under the arrangement: "But did you know this in advance ? You had planned this in advance ? Did you planned everything in advance ? ".
A similar question usually betrays complete ignorance of those who puts it about the practical arrangements of the creative process.
is completely wrong to think that, once the script - more or less "iron" that is - it is also concluded, with a meticulous pre-determination, all the creative process and the discovery of its rigorous compositional formulas.
Things are not so or, at best, are only very partially so. Especially when the game is in a building of such "symphonic" in which the pieces are related to the dynamic relationships suggested by the articulation of a broad theme of emotional needs and not on the basis of pure or pure narrative verisimilitude.
But the creative process is closely connected with another fact, namely the fact that during the work are never formulated those "how" and those "why" which in turn determine the selection of the "matches" and rhythms. While working an appropriate choice does not arise from a never logical evaluation, but was born [...] cedure.
can not build an idea of \u200b\u200bintellectual deductions, expressed in the framing and compositional processes.
Involuntarily People tend to think of Oscar Wilde who said that in the artist's ideas are not born "naked" but on the contrary, already dressed in marble, colors and sounds.
think the artist directly at manipulating his tools and materials. His thinking is converted into direct action, made not by a formula but by a form. (I please forgive this pun, but it expresses tremendously well the mutual relationship of all three elements).
course, even in this "spontaneity" the necessary regularity, the basis and rationale of this own and not another provision, through the filter of consciousness (sometimes happens even to be made to loud), but the consciousness not committed in the 'explanation' (doskazyvanie) of these reasons, it is exclusively the building itself. pleasure to decipher these "foundations" is part of the subsequent analytical work that is done sometimes many years after the "fever" of the 'Act' creative act when Wagner was referring to the height of his creativity, after refusing to cooperate in a theoretical journal founded by his friends wrote: "When you act there is nothing to explain" .
But why the fruits of the 'Act' creative are less stringent and regular, as we have tried to show with our study of the materials assembled. "
by SM Eisenstein, Vertical mounting
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